Monday, August 23, 2010

Inspiration for Home-Spun Tales

If you will allow me to wax retrospectively-philosophical, I want to talk about what makes me tick personally.  I write on a lot of things - religion, politics, other stuff - but the one thing many people seem to connect with is when I write about childhood memories and such.  I won't be doing a lot of those here on this blog, because most of that is on my Facebook page that you can read when you get the chance.  What I do want to talk about now is how things inspire me to write what I write.

Today, that subject hit me as I was listening to one of my favorite "classical" works, Sibelius' Finlandia.  There is just something about listening to stuff like that which fires the imagination, but listening to that type of music has to be done when I am in the right attitude and frame of mind.   My classical music collection is not really large, in comparison to the big band stuff I talked about, but over the years some things have really caught my attention and have captivated me.  Sibelius is one of those, but I am equally inspired by Aaron Copland's Appalachian Spring (probably because I get homesick listening to it), Rachmaninov's Piano Concerto (also known as the pop standard "Full Moon and Empty Arms"), most everything Stravinsky has ever written (he is my favorite composer!), and the beautiful Strauss waltzes (I really love those).   Good serious music like that - much of which also has a strong Judeo-Christian root as well - is the music you create by, and it also stirs the imagination.  God has given some people the ability to create and arrange sounds to powerful results, and pieces like these above-listed exemplify that well.  Great music like that takes us back to a time when honor, grace, and class were things to be valued, and as a result there is a noble quality to great compositions like those and some others I could mention.  For one thing, it makes me sometimes wish I was born in Europe the way it used to be - before all the secularism and socialism emasculated it - when the monarchy was a symbol of respect and Christianity was the foundation of the law of the land.  And, being I have the blood of Charlemagne, William the Conqueror, Prince Vladimir of Novgorod, and other great monarchs in my veins (I am a direct descendant of all that on my father's side of the family) I feel as if that great music personifies something in me that I personally connect with.  It is hard to describe in great detail, but you get the picture. 

I am also captivated by great stories, as well as not-so-big folktales and legends.  When I was just a baby, Mom got me this set of story books called My Book House which were first published in the 1920's by a Chicago educator by the name of Olive Beaupre Miller.  The books represent a very good cross-section of the great literary heritage of Western civilization - ethnic folk tales, ancient mythology, Bible stories, early American folklore, and classic literary works.  These were the books that first exposed me to some of the stories I still enjoy today, such as William Makepeace Thackaray's The Rose and the Ring, and several years back I actually bought a new set of those which I have now in my library (the original set Mom got me is long gone).  As I grew and matured, those books led me to read other literature, which as a kid included stuff such as Robert Newton Peck's Soup books, William Saroyan's My Name is Aram, and other literary classics.  It was through reading stuff like these works that I began to develop a writing style all my own - it is a folksy style that bases a lot of my own life experience into story form, but at the same time it is detailed, epic in scope, and has some overlap.  So far, except for a couple of things, most of my stuff has been non-fiction, and is more in the tradition of the storyteller - being a member of Toastmasters and the National Storytelling Association has helped develop that more for me too.   In time, I want to capture the essence of my life in book form, bind it in a volume, and have it available for others to see.  It will be lengthy, as I love trying to catch every detail as my life story is sort of a way to reach back in time and touch some things I have forgotten or missed. As a result, I can get wordy, so want to apologize to you all beforehand, because you are in for a LONG read with my stuff!





    This is what my original set of My Book House looked like.  This
   edition is from 1965.



Places also stimulate me - that is a West Virginia/Appalachian thing though, as the "sense of place" is a strong connection.   And, I am not just talking about places I grew up or have lived, but also those places where, if you are traveling on the road, just stick out at you.  The look of a certain house, the architecture of a country church, an old gas station or eatery...these things catch my attention easily.  I am a fairly decent graphite artist, and have tried to re-create them in drawings, but it isn't the same.  I will also be posting some drawings later as well soon as the scanner gets back in operation again. 






This is one of those places that inspires me but I have never been to - yet!
It is Lake Bled in the Slovenian Alps, and I love the view of this.


Well, that is all to say for tonight, but will have some good stuff up for you to see soon.  Take care.

Tuesday, August 17, 2010

The Snowbird Christmas Carol!

I wrote this as a humorous email when I was bored and didn't have nothing better to do at work last year (maybe actually working would have been a good idea too, right!).  Anyway, although it is the middle of August when I am posting this, consider it a belated "Christmas in July" gift.




"Murdock the liver-spotted snow bird,




had a very bulky car;



He couldn't see 2 inches,



from the steering wheel to the guardrail bar.



And when Murdock went shopping



At the local Publix store,



He would haggle with the bagboy



Because his pack of wienies were a dollar more



Then one busy Friday noon,



The SSI check came in the mail



And the traffic cop said, Murdock with your bald head so bright



Please don’t drive without your nurse tonight.



But how the shuffleboard club loved him



The little 80-something ladies cackled with glee



Because little old Murdock



Had his own teeth and a condo on Big Key!"

Friday, August 13, 2010

My Story - Why I Became a Collector of Big Band Recordings

The creative blog posts on this page have a lot of facets and dimensions, and you have already sampled my limited attempts at fictional stories, which I hope you all enjoyed.  One facet of this page is to display my writing abilities beyond religious subject matter, and a lot of that involves many of my other interests and pursuits.  For many who know me, it is common knowledge that my musical tastes are unique, and the prime focus of my tastes are vintage big band records, and I want to spend some time telling you about that here now.   Also, it should solve the mystery for many of you of how I got into this stuff in the first place!

My interests actually started when I was very young, because one thing my mother never allowed around me or in her presence was rock music, so except for a passing knowledge of it I was largely not exposed to a lot of the stuff kids my day were exposed to.  When I think about that now, I have come to personally consider that a form of divine protection, as if God was shielding me from that junk, and if that be the case I am very glad he did that.  Mom was a little old-fashioned herself in her tastes too, for although she grew up as a teenager in the mid-1960's, when "Beatlemania" and all of the other rock music fads were assaulting American youth culture, my mother listened to some very tame stuff.  She liked classic country (Kitty Wells, Marty Robbins, and Jim Reeves, the "Country pop" stuff popular during that day and age with country music enthusiasts) as well as stuff like Doris Day, Billy Vaughn, Pat Boone, and Mitch Miller.  She also listened to a lot of polkas and old-time Gospel records as well (my mom has always been, and will always be, a big Rambos and Chuck Wagon Gang fan).  As a young kid - about the time I was 5 or 6 years old - I was exposed to a lot of that stuff.  Some of it I was not thrilled about listening to, but other records she had I developed a liking to.  One of those records was a Mitch Miller Christmas album Holiday Sing-a-Long with Mitch (Columbia LP65673, released in 1961), that for some reason just captivated me with its sound.  I must've worn that vinyl disc out during the summer of 1975, when although it was uncharacteristically hot at my grandmother's house in Augusta, WV, I was playing this Christmas record!  Still like it to this day, as I have it on CD.  Unfortunately, Mitch Miller recently passed away, at the ripe age of 99 years, but he will always give me a fond memory because of that Christmas record.





A little later on, in 1976, when we moved to my great-grandmother's in the town of my birth, Hendricks, WV, Mom made a little more money working for the local shoe factory in Parsons and as a result she managed to buy this HUGE red-and-white Ford Galaxy off my Uncle Bonzo, although prior to that she owned a Cadillac.  One essential thing any car Mom had to have was an 8-track tape player, due to the fact she loved to just drive on Sundays, and Granny looked forward to those drives as well.  Mom had a small collection of all types of music then; gospel, polkas, pop music of the 1950's, etc.   And, due to my mother's tapes, I was exposed at an early age to polka music, and to this day still love it despite the derision I sometimes get as a result from more "progressive" friends.  The one polka recording from those early ages that really stuck out to me was by this guy by the name of Papa Joe who played an organ, and the series of records he produced were called "The Magic Organ."  Mom had two of this guy's tapes, one a collection of old hymns that sounded pretty on that Hammond he played, and the other was a polka record.  The polka album, called The Polka Album (Ranwood R-8150, 1975) was a favorite I liked a lot, and Mom wore out her copy of it as well.  I had been exposed to a lot of other polka recordings prior to that, as back a year previous Mom worked at Annabelle's, a tavern outside of Martinsburg, WV, and Annabelle's jukebox had a good stock of classic polka records that I got to hear a lot of.  A strange association developed from that time as well, because Annabelle's was noted for some pretty good homemade pizzas, which Mom would often make one for me of a night for dinner.  So, even to this day, I somehow have this "Pizza and Polkas" mentality, as they seem to go together well.  As I began to develop my own interests, my polka affinity became more defined as I began to collect my own records and study up a little bit on the music, and as a result it wasn't long before I was introduced to legends on record such as Frankie Yankovic, Johnny Pecon, Whoopie John, the Six Fat Dutchmen, and Larry Chesky, among others.  Then, as a young adult, I married into a Milwaukee Polish family, and they were both elated and amused that their new in-law loved polkas, the music they had at all their week-long weddings and wakes.  However, it didn't end with polkas, because in late 1977-early 1978 I began to evolve many of the likes and dislikes I have now, and a couple of things played pivotal roles in that one too.







It was October 1977, and at the time Mom and a friend of hers from the shoe factory in Parsons, Wilda (or "Willie," as we called her; she later married my grandfather and is now of course my step-grandmother, and I love her dearly as she's always treated me like a prince) found out they could make a little more money by transferring to another shoe factory location (owned by the same company, Kinney Shoe) in Romney.  Romney, of course, is the county seat of Hampshire County, and only 10 miles east of there is Augusta, where my grandmother and step-grandfather lived then.  I transferred to Augusta Elementary School that year, and was in 2nd grade then, and due to the fact I was a little out-of-place with many of those kids, I took a strong counter-cultural stand in which I went to great lengths to stand out from my classmates.  I dressed differently (I stopped wearing jeans, would not wear tennis shoes or white socks, and wanted to always dress up for school), ate differently (I HATED, and still do, hamburgers and other things many kids like), and of course listened to different music.  In late 1977, many kids my age were into listening to a group of degenerates called KISS, but I personally found them sickening, loud, and repulsive.  I didn't want to be associated with that stuff, so I went in search of my own musical niche.  Thankfully for me, Wilda had it for me, as with her to Augusta came a large collection of several different records of diverse stuff, and one record of hers caught my attention and I remember listening to it over and over.  The record was by an obscure group called Happy O'Houlihan and the Teardrops, and was entitled Winchester Cathedral (Design DLP259 - released originally 1967).  The title song of the LP was a cover of a very popular "one-hit wonder" by a British retro big band called the New Vaudeville Band that became a very big hit in 1966 as a sort of counterweight to the Beatles and other garbage coming out of England.  The song, "Winchester Cathedral," had a 1920's feel with a 1960's beat behind it, and for many years afterward it would prove to be a new standard among big bands. The original New Vaudeville LP (Fontana SRF-67560) was something I was introduced to a few years later, in 1982, when I began my actual record collection.  It is still one of my favorites today.  The O'Houlihan record Wilda had though was a little different, as most of it was vintage honkey-tonk piano tunes of classic standards such as "Rambling Wreck from Georgia Tech," "Wild Irish Rose," and other such old and good standards.  The New Vaudeville album sounded more like the classic big bands of the 1920's with a pepped-up contemporary sound, and was a mixture of original compositions by bandleader Geoff Stephens ("Winchester Cathedral" and "There's a Kind of Hush," as well as "Peek-a-Boo," which was on the CD reissue but not on the original LP) as well as such 1920's era classics as "Whispering," and "A Nightingale Sang in Berkley Square."  Despite the fact that this LP was released when the Beatles, "psychedelic" hippie-rock, and other nonsense was capturing popular fancy, the New Vaudeville boys sold well too.  Any rate, both of these LP's are part of my collection today still.








For a few years, music was not really that important to me personally, and I just sort of ignored it.  We moved around a lot then, and by the summer of 1980 Mom and I had our own home in Kirby, WV.  The town of Kirby, which was so small that you could blink and miss it if you drove on Grassy Lick Road through it, was obscure, and Mom and I were poor, living in a trailer we rented off of Nellie Cox, the feudal owner of most of the town to whom many residents also owed their practical souls.  Being we were poor, in a small place without much to do, and we had no television, we spent a lot of evenings just listening to the radio.  One night in particular - it was the summer of 1981 - it was a hot Sunday, and Mom was surfing the dial on the radio to find something to listen to.  All of a sudden, she tuned to 1110 on the AM dial which was WBT in Charlotte, NC, and I heard the most heavenly sound I had ever listened to come from her radio, and had to ask Mom to keep on that station.  The sound I heard was a recording from around 1937 or so of Tommy Dorsey's orchestra playing a song called "Moonlight on the Ganges," and I was transfixed by that sound.  Listening for a while, I heard some other songs I liked that were played by men by the name of Glenn Miller, Billy Vaughn, Artie Shaw, and Count Basie, and soon I learned that this was a type of music called "big bands."  It was a sophisticated sound, with a variety of instruments playing together like one organism, and although something new it also sounded familiar, as it was a lot like some of Mom's polka tapes too.  I needed  to find out more about that music, and began to read up on it.  And, I began listening to that station, which on Sundays had this 3-hour show from 10 at night to 1 in the morning, hosted by a jovial disc jockey by the name of Henry Boggen.  It was a show I would listen to for many, many years too



The late Henry Boggan, host of my old show on WBT up until the early 1990's






Henry Boggan with his "mascot," Queenie the Goose




As I became more hungry for that great music, I began wondering where I could get it on records, and what came to me was this local junk store in the nearby town of Rio, WV, called by us locals the Rio Mall.  This store, a big green metal building, was located on the old Delray Road in "downtown" Rio, and being owned by the Fitzwater family, it had a variety of stuff ranging from clothes to furniture.  On October 1, 1982, Mom bought me my first LP record from there which although not a big band record, still proved significant.  The record itself was of Jamaican folk singer Harry Belafonte, and was a green LP with Belafonte's picture on the front.  The reason Mom got that was because she knew Henry played Belafonte's famous "Banana Boat Song" record on my show a lot, and therefore she assumed I liked him (a picture of the LP is at http://www.akh.se/harbel/lpm1150.htm, and apparently was released on the RCA label in 1955 as LPM-1150-C).  Within a couple of months thought I got to shop there on my own and was able to find some great albums of the music I really wanted, and in a bit I will share some pics of those LPs.  First though, here is a good picture of the Rio Mall as it looks today:




My first official shopping spree happened on November 2nd, 1982, when at the first of the month Mom got a child support check from Dad and I got a few bucks from it as an allowance.  Records there were a quarter apiece, and I managed to rack up quite a few in a very short time.  Some of the first LP's I got that next couple of months became some of my favorites - one was Guy Lombardo's 1962 Capital album Waltzing with Guy Lombardo (Capital ST1738), and Vaughn Monroe's 1961 Dot Records release of Vaughn Monroe Sings the Great Themes of the Famous Bands and Famous Singers (Dot DLP25470), then Lawrence Welk's 1961 Dot LP Tribute to the All-Time Greats (Dot DLP25544), Sammy Kaye's Columbia LP Popular American Waltzes (Columbia CL1018, 1957), Webley Edwards and Hawaii Calls Capital LP Waikiki After Dark (Capital T2315, which I estimate was released in 1961 also), and finally a collector's promotional compilation album released in the early 1960's by Columbia entitled Fall Festival of Stars (Columbia Special Products CSP 160).  There were some others too, but these were among the first good records I got.  And, here are pictures of their album covers for you to see:




These records were all hard to find, but in the past couple of years I managed to recover them all, thanks to the wide variety of junk shops in Florida here as well as E-Bay!  I continued to collect records actively well into the time I graduated from high school in 1989, but as I became more involved with ministry and church activities took up much of my time, I sort of put my musical interests on hold until around 1995, when I discovered a recent invention called the compact disc and took up my collecting again! 

At the present time, my LP collection as it stands is counted at around 850, while my CD's number 1057.  They cover practically the entire big band spectrum, from the early 1900's to the late 1950's, and I also have an interest in early vocal groups such as the Four Lads, the Crew Cuts, the Four Freshman, the Hi-Lo's, and the Four Aces, among others.  I am also a big fan still of Mitch Miller, and collect the records of singers such as Pat Boone, Frankie Laine, Johnnie Ray, Guy Mitchell, and others of the genre.  The love of this great music will always be part of me, and it has produced a set of memories all my own, and I am fortunate to have developed an affinity for this great music.  And, I hope to collect it still for many years to come.  Anyway, more fun to come next time.

Thursday, August 12, 2010

Cast Off - A Fictional Story

This is a story that was written in 2002 by my late stepmother, Debra Traylor, who passed away in February 2006.  I originally published this for her in my old magazine, The Present Truth Trumpet, and want to include it here now for your reading pleasure.  I have edited it somewhat, but the original story is still there.


Cast Off
by Debra S. Traylor

Gripping the hairbrush in her hand, she raked through the long pale hair.  Gloom moved over her face as she fixed her jaw into a rigid frown.  She threw the brush to the dresser and flopped down on the bed.  A lanky twelve-year-old with deep-set grey eyes, Jennifer Winters had ideas of her own.

"I will go to Crab Island today in spite of Mom.  After all, Dad has taught me to power a boat well,"  Jennifer mumbled with conviction.

Things had changed since her parents divorced.  Jennifer thought her mother was overly protective.  She missed the outings the three of them would take in the boat over to Crab Island for the day.  Mom basked in the sun while she and her dad would swim and explore.  Now, Mom didn't want to go anymore.  The small speedboat just sat there tethered to the dock.  Everyone thought Jennifer was a little too young yet to go out past the cove.

"Well, I'm going to show them!"

Jennifer became alert as she heard heels clacking on the linoleum down the hall.  Her mother was going shopping today and expected her to tag along. 

A shadow fell across the doorway but Jennifer just stared at her mother's big feet.

"Now Jen, we have been through this.  You know I don't like leaving you alone."

"But Mom, it is so boring!  Don't you want me to have any fun this weekend?  Don't you trust me?"

"Of course I do, but I would just feel better if you went with me."

"Mom, I'm not a baby."

"Okay, I give up," Mom's hands flew into the air with exasperation.  "I don't know what I am going to do with you."

"Oh brother,"  Jennifer thought.  "Here it comes now!"

"Do what you want, but I expect your room to be straightened up when I get home this afternoon."  She turned around and added, "Stick around the house."

Jennifer fell back into the bed a little surprised.  It would have been too easy - that is, until she told her to stick around!  "But, I have to show her I'm ready to do things on my own."

She heard the car start and back down the driveway and wasted no time getting down to the floating dock.  The tide was out, but it should be coming in soon.  Jennifer almost tripped as she galloped down the incline to the boat.  Throwing her gear in, she hopped over the side of the boat and loosened the ropes securing it.  The engine started on the first try and she gleefully giggled a the thought of being off on her adventure at last.

As she moved through the cove slowly, she noticed the majestic oaks along the banks draped with gray moss.  They seemed to loom over the houses along the bank of the river.  Her own house suddenly seemed far away.

When she came to the end of the cove, where it emptied into the bay, Jennifer felt a chill run down her spine.  She opened up the engine to maximum speed.  The boat plunged forward with the bow planing off the surface of the water.  Underneath her feet she could feel the ripples reveberating off the bottom of the boat.  The water glistened like millions of tiny diamonds as the sun warmed everything around her.  She could taste the salty ocean spray as the breeze whipped strands of hair about her face.  Jennifer felt as free as the seagulls that soared above her head.

She moved ahead through the spindly marsh grass that bordered the channel until she approached the open waters.  Crab Island was in sight.  The current was somewhat swift, not unusual for that time of year.  Within minutes she was in the surf approaching the beach.  Jennifer cut off the engine, slowly letting the boat drift in the current as it approached the shoreline.  When close, she jumped out onto the shore.  Gripping the rope on the stern of the boat, she pulled the small craft up onto the beach, with it spinning casually.  She had arrived!

Jennifer played on the beach until approaching the sand dunes and crossing over, arriving at a secluded shelter under an adjacent grove of oak trees.  Once settled, she spent a considerable amount of time excavating an ancient heap of discarded oyster shells left there by earlier settlers in the distant past.  It had been a good day, she meditated, deciding it was time to head back.

As Jennifer approached the summit of the dunes, she noticed a dark cloud making its way over the ocean, and a primal instinct urged that danger was imminent and that she had better hurry and get out of there.

As she made her way into the channel, the storm had arrived and overtook her small craft, assaulting it with waves and tossing it to and fro.  As the waves assaulted the boat in successive volleys, water began to accumulate in the bottom of the boat.  Sheets of torrential rains showered down upon her head like a waterfall, and bolts of lightning flashed in greater frequency with each passing moment. As the lightning flashes became perilously closer, Jennifer was growing more frightened, cowering as best she could to avoid any danger.  Faced with an imminent capsizing of the small vessel that carried her, Jennifer made a valiant effort to cease her fearful trembling enough to steady the craft.   Although a noble effort, the attempt had imminent futility written all over it.  She therefore realistically came to the conclusion that there was no possibility that she could swim that rough current, and wondered silently what if I don't make it?

Jennifer realized she had probably gotten herself into something more than she could handle, and conceded in her thoughts that her mother might have actually been right.  It was a thought she found difficult to digest at the time, and the safety of her home was what her thoughts focused on at this point.

With a desperation and humility flooded with emotion, she looked skyward as she cried, "Jesus I am so sorry.  Please help me!!"

Upon making her way to the small estuarine river, Jennifer heard a voice that sounded joyfully familiar to her - they were calling her name!  She saw another boat approaching her, and in it were her mother and their neighbor, Mr. Stafford.  At this point, a wave of peace and relief flooded Jennifer with an uncharacteristic intensity, and resulting from that she went limp with a combination of exhaustion and relief.

"Jen....Jennifer?"

"Mommy, I'm over here!"

Upon coming to her, Jennifer and her mother fell into each other's arms and embraced as if neither wanted to ever let go.

"I'm so sorry, Mama!" Jennifer managed between sobs.

"I know, Baby," reassured her mother.  "Mr. Stafford saw you go out in that boat, and he got worried when he saw the storm coming and you hadn't returned."

"I will never go out like tht by myself again, Mama, I promise."

"I should have realized how much you really missed it.  And, tell you what - from now on we will do this together!  I guess I missed it too."

"That would be great, Mama," Jennifer said, smiling.  "And a lot more fun too."

The End


Wednesday, August 11, 2010

Appointed for Consecration - A Fictional Story

I wanted to begin this post by adding an excerpt from a novel I was working on some years back, and one that I have only completed the first chapter with.  One day, when the inspiration hits me to do so, I may actually proceed with the idea.  This particular story was originally published in my old newsletter, The Present Truth Trumpet, back in 2003, and I was inspired to write it from my own unique perspective after reading Tim LaHaye's and Jerry Jenkins' Left Behind series, as well as the two Frank Peretti books, This Present Darkness and Piercing the Darkness.  It is an apocalyptic story with an Eastern Catholic twist to it, so hope you will enjoy it.  This is the first in a series of prose, poetry, and other writings that I will be posting that really express my other interests besides theology, which is largely the focus of my Sacramental Present Truths blog.  Anyway, here is the story.

Appointed for Consecration

It was a quiet morning in the small Allegheny hamlet town of Murraysville, and nothing seemed too out of the ordinary as the town slowly awakened.  The sun, seeming to be having a little difficulty itself stirring, slowly ascended the nearby ridge to coronate the green peaks with its luminescent crown, bathing the surrounding landscape in the glory of its light.   The sleepy town of Murraysville slowly began to stir as local businessmen began their daily routines and the shops and other businesses opened their doors for the day's trade.  Many of the local businesses were "mom-and-pop' establishments, and many of their owners were first- or second-generation scions of immigrants who came to the region to seek a better life in the mining and lumber industries that once held a monopoly over the region.  Many of the mining establishments though were long gone, and although a railroad serviced the town, it was mostly freight cars transversing a north/south route between Pittsburgh and Chattanooga, or an Amtrak caravan ferrying its passengers to such exotic places as Baltimore and Cleveland.  An annual polka festival also brought people and revenue to the town, as its large and influential Slovene-Croatian population prided itself for having as one of its native sons a very famous accordionist who had a string of hit records many decades ago.  Murraysville, with its immigrant past and its lazy small-town charm, at one day was a bustling community, but now was merely a way-station for casual tourists wanting to stop for a bite to eat and to gas up their cars.  However, the residents liked it that way, and thus a small, nondescript blip on the map it remained, with all its small-town charm and ambience.

Despite appearances though, there was a weird sense of foreboding that seemed to be in the atmosphere today, as the cows were huddled under trees in the local meadows and the dogs were bristling with some uncharacteristic aggressiveness at an unseen force, an unwelcome but invisible hobo that wanted to pass through but knew it wasn't welcomed.  Many of the townsfolk, with the exception of an occasional arthritis flareup or a fallen cake or loaf of bread in the oven, noticed very little about this, but a subtle presence could be felt.  Little did they know what was about to transpire in the not-so-distant future.

On the ascending Main Street slope in the "downtown" area, a shopkeeper of obvious Meditterean descent who was dressed smartly in a starched white apron and a matching white dress shirt with a blood-red tie, had just opened his little grocery store, a Victorian-era white structure facing a side street with tons of old bric-a-brac, products of ages past such as Double Cola and Dixie Drumstick crackers, festooning the windows.  Cursing in his parents' native language and brandishing a broom at a disheveled and natty-looking old yellow cat that had taken some liberties with the scraps in his trashcans and had overturned them, no one seemed to take much offense at the tirade, as it was part of the morning entertainment for many - Mr. Donatelli, a 2nd-generation Sicilian in his early 60's, was a bit of a hothead and tended to express his consternation quite animatedly at the local feral cats that plagued his waste facilities.  It proved to be an amusing story for the local businessmen who were finishing up their morning coffees and pastries at Charbel's cafe across the street, a quaint little establishment with classic checkered tablecloths and the most phenomenal huckleberry pastry one could wrap their tastebuds around, made daily by Mr Charbel, its proprietor, from fresh mountain huckleberries he bought from some hard-up hillfolk in the outlands in order to help them feed their families with some income.  Joe Charbel, hearing the commotion from across the street, steps out of his shop momentarily with a bemused expression on his face and shouts across the street
"Well, hello, old friend!" to the now-flustered Mr. Donatelli, who had just vanquished the stray cat to someone else's trashcans.

"Acchh!!  Hello yourself, you old bacciagalup!  Friggin' cats in my trash again!"  Donatelli shouts back, and then mumbles some expletives in Sicilian about illegitimate felines and their mating habits.

"Oh, for the sake of Holy Mother Mary, Guy!  Feed the wretched creature already, and maybe it wouldn't be so desperate as to forage your trashcans for that inferior goat meat you try to sell to your customers at inflated prices!  I mean, seriously, you would squeeze a lyra until Garibaldi crapped on Sicily.  A can of Friskees or a piece of that shark bait you call fresh fish from your butcher block would not kill you, ya know!"

"Goat meat!! I will have you know that was Kobe beef, and it is NOT in my dustbins, you Lebanese mongoose! I swear on my sainted mother's grave, Joe, you would feed every stray mongrel from here to Johnstown and back, and then they look for dessert in my trash!!  I never had that problem until you decided to petition the Holy Father to be canonized Saint Charbel of Bastard Cats and feeding them;  really, what is this anyway, do you have some holy indulgence you are trying to meet by feeding that beast??  If so, you are failing because your beast is making my life hell!  Maybe if you could spare some of that food of yours to your neighbors - do I have to cough up a hairball to get a decent plate of linguini from that joint of yours??"

"Hey, paison, the cat does not bellyache about heartburn unlike some bacciagalups I know!  For the love of God, Guy, you are hopeless!  Abwoon b'shmayo!!"

Joe Charbel finally ends the exchange, throws up his hands in frustration, and gets back to his kitchen.  With a gesture of fingers flipped from under his chin at his nemesis across the street, Guy Donatelli storms with the broom back into his grocery.  The morning exchange is over for today, but most definitely would be repeated tomorrow, Lord willing.

As Guy Donatelli enters the stoop to his shop, he mutters under his breath, "Crazy Lebanese bacciagalup mongoose!!  Feeds the cats and they stay here!"  Then, as if remembering something important, he bellows across the street, "Joe, you had better have one of those pastries sitting over there with my name on it, or your cat will be stew for the hobos tomorrow!  And, none of that day-old crap either - already paid a fortune for false teeth and don't want to break them on petrified blueberries!"  Turning from his shop and crossing the street, he has this feeling, and is compelled to look up, as if something was expected.  He says to himself, "I have got to stop buying that pepperoni from Chattanooga, as it's making me see things fuzzy.  What do those Southerners know about good pepperoni anyway?"  Muttering and shaking his head, he ducks inside the cafe while still cursing at that cat, which by now was long gone.  Despite these heated, loud exchanges every morning between Guy Donatelli and Joe Charbel, fact was they were actually dear friends.  Their parents had immigrated from the Old Country at the turn of the century in order to start businesses and new lives, and all of the immigrant kids, often feeling out-of-place in the surrounding Appalachian culture, formed a subculture of their own.  Many of them, devoutly Catholic, were the founding families of the oldest Catholic parish in the region, which was perched on a hill on the southside of town.  The parish was unique in that it was both Eastern-rite and Roman-rite, and its priest, a jovial man of Russian-Jewish heritage, maintained theological orthodoxy for the deeply conservative community despite trends in the Church as a whole in recent years with the rise of much liberalism and apostasy in many dioceses.  On a practical note, Donatelli also stocked a goodly supply of fresh mountain huckleberries, which helped Charbel create more of those delicious pastries, so it was a lucrative business relationship as well for both of them.  However, the exchanges were still amusing, and the townspeople talked about the morning show between these two hardheaded Meditterean businessment the rest of the day, beginning on the street corner immediately after the morning exchange.

"Well, Flo, it looks like our two favorite shopkeepers are at it again this morning - I reckon it's a blessing they don't kill each other," proclaimed a portly suspender-clad man to a wizened old woman in her 80's as he continued, "I swear, those two old mooks are worse than banty roosters goin' at it like that!"

"For heaven's sake, now what was the fuss over??" screeched Flo in a resigned tone.  "Too much pepper on the meatballs givin' Guy the grocer heartburn or the trots?"

"Ooohh, better than that!" drawled Flo's suspendered friend.  "Seems as if Mr. Joe likes wining and dining the stray cats on the block, and they think they can get seconds on the food at Guy's cans as after-dinner hors-d'oevres."

"Welllll, Joe does make them meatballs good, although my poor stomach can't handle that spiciness," cackled Flo.  "Wait a minute, you talkin' about that old yeller stray I see on Main Street every day?  What a poor distressed critter, and so mangy."

"Yep, he looks as distressed as old Guy sounded today.  Reckon if Joe keeps fattenin' him up, he won't be distressed and mangy for long!  Them meatballs of his are like lead weights in the ol' breadbox, ya know!" chuckles the man as he pats his rotund midsection for emphasis.

The previously chuckling Flo, enjoying the morning banter, all of a sudden wrinkles her brow and changes contenance, and asks; "Jack, that was peculiar - did you just get the feelin' something weird's in the air?  That was the oddest thing.  Seems a bit funny out, don't it to you?"

"Well, Flo, normally I would say that was just your old bones creakin' about a comin' rainstorm or something, but then I got the same feeling.  Wonder what that was about?"

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Across town, south of Main Street on the crest of a small hill, was St. Malachy's Parish.  Built by the hard-working immigrants in the early 1920's, it was a bastion of Catholic orthodoxy for the area, and at times was often the target of bureacrats in the local diocese who thought it was "too conservative' to exist, and they would try to shut the parish down.  However, the parishioners would not hear of it, and fought to keep their parish alive, and thus far were successful.  A small but imposing edifice, constructed lovingly of local river stone and cedar wood framing, it also boasted a gold cupola over its center and another cupola adorned the adjacent bell tower.  Across from the parish was an old farmhouse that had been refurbished and served as the parish rectory, where the current priest, Fr. Basil Zvarovsky, resided.  At 67 years old but looking much youger with his black, thick head of hair and a goatee to match, giving him the appearance of orchestra leader Mitch Miller, the jovial cleric was often seen in the yard of the rectory in his grey clerical collar and a cardigan sweater tending to some beautiful roses that he prized as a hobby, and also because they were a symbol of the Theotokos as well.  In addition to the roses, a number of free-ranging fowl - geese, bantam chickens, peacocks, guineas, and ducks - roamed about chattering and harvesting the bugs off the rectory lawn.   The priest loved those birds, and although he would often have to get after them because they would leave "deposits" on his porch and walkway, he still loved them like children.  Russian-born, Fr. Zvarovsky was an Eastern-rite priest of Jewish ancestry who spoke in a pronounced Slavic accent, despite being in the US for many years.  St. Malachy Parish, across the street, was the pasture for his spiritual sheepfold, and was a multi-rite parish in which both the Latin Mass and the Byzantine Divine Liturgy were celebrated.  Despite the diverse background of the parishioners - Syrians, Ukrainians, Italians, Slovenes, Croatians, Poles, Romanians, and so many others - they were a close-knit family that upheld traditional values and also vehemently defended their beloved priest, who had been there 20 years and was well-suited for this little parish of multi-ethnic children and grandchildren of immigrants. 

While out that morning tending his roses, Fr. Zvarovsky heard the familiar cracking, adolescent voice of one of his altar servers, a teenage boy of Romanian ancestry named Gheorge.  Gheorge was a very bright, albeit over-exciteable, clean-cut teen of 17 years and his shorter-than-average gangly frame came flying up the street from his parents' house just two blocks away.  Seeing him, Fr. Zvarovsky stops what he is doing and walks to the fence around the rectory to meet his young visitor.

"Gheorge, what's up son?  Slow down before your feet outrun your body!" the priest amusingly teases.

"Ahhhh, Father, it is so terrible, just terrible!!  Grandma was watching the news this morning, and she called me up all frantic while I was at work over at the craft store, and she had some sad news."

"It's OK Gheorge - here, should I get you something to drink so you can catch your breath?  Calm down, and then tell me nice and slow, OK?"

"Oh yes, Father, my apologies - I just ran three blocks because you needed to hear about this"

"OK, that's understandable, now talk to me"

"The plane, it crashed," began Gheorge in a breathless tone.  "The plane carrying the Holy Father from Rome to Singapore was gunned down over Saudi.  They said it was Islamic terrorists aboard who initiated it, but all reports are not in yet."

"My goodness!  I really should have watched the news this morning!" exclaimed Fr. Zvarovsky.  "I would think that the diocese would be releasing something on this soon also, but we need to compose ourselves.  I need you to help me, Gheorge - go to the church, and see if you can find the directory.  I will call your boss to let him know you will be working with me; Mr. Dragovich is a good man, so he will understand...and I need you to await my notice until I call the diocesan office to confirm what has happened.  Once I give you the word, go, and call our parishioners together.  I feel in my spirit something is going down, and that the Lord is stirring us through this to take some action as a parish.  So, go, and I will be in touch."

"I can do that, Father, and whatever else you need me to do," affirmed Gheorge.

"Unfortunately, our Holy Father may have been the victim of foul play, as he has spoken out of the evils of Islam for some time, even when it was not popular.  The bureaucrats in the diocesan offices in Europe and America were not too supportive of this, as they were seeking all this 'common ground' and other nonsense, but they were only delaying in inevitable.  The Holy Father spoke the truth, proclaimed the Gospel without compromise, and it may have made him a martyr.  Once I get confirmation from the diocesan office, I will have you give the parishioners instructions to meet here at 7 tomorrow night, because we need to seek the Lord and we will do so by celebrating a Presanctified Liturgy."

"Say the word when ready Father, and I will go back to work until you do.  You did say you would call Mr. Dragovich for me, right?  If you would be so kind, just have him let me know when you call, please."

"I will take care of it Gheorge, so go back to your business and I will talk to you soon."

Gheorge takes his leave, and Fr. Zvarovsky, no longer in the mood to prune rosebushes, feels the leading to head over to the church.

___________________________________________________________________________________

St. Malachy's sanctuary, with its white interior and its gilded iconostasis before the altar reflecting the turquoise, golds and reds of the iconography, is at this time dimly-lit but has a pervasive stillness that can be felt in the whole sanctuary.  It is a feeling of holiness, where one feels both comforted and unworthy at the same time, much as Isaiah 6 describes.  Although the parish priest, Fr. Zvarovsky feels the same humility, as every time he enters the sanctuary he wonders why God chose him, a man of unclean lips and unworthy of anything God could bless him with, to guide and lead these precious people who are his parishioners.  A sense of dread, additionally, takes him this morning as he enters the church, because he feels in his spirit that the death of the godly Pontiff, a man who had taken some Biblical but unpopular stands against what he felt was apostasy in the ranks of the Church, may have serious implications for those of the faithful Remnant who chose to uphold the teachings of the Apostles over the trends of the times.  He sat there, contemplating his own future, and as he rubbed his hand over his thick lock of hair and down his face, he is thinking that he really could use some divine guidance now.  So, he sits, reads his worn Scripture book, and contemplates.

The Bible he is reading opens to Revelation chapter 6, and while still trying to grasp his bearings, our good priest notices an unusual light filling the sanctuary, and is all of a sudden startled as a gentle, feminine voice speaks and says:

"Greetings to you, child and servant of my Son the Lord!"

This was shocking to Fr. Zvarovsky, who slowly turns his head to the direction of the voice.  There, standing in front of the elevated cedarwood ambon to the left of the altar, was this woman of indescript beauty, with a pureness he had never seen in a human being before.  She was clad in a blue mantle, and it was as if she had a light source within her that was emanating out from her essence.  She was olive-complexioned, youthful in appearance, yet had this look of compassion that would make anyone weep tears of joy at seeing her.  Her hands were outstretched, as if to embrace the now-stunned priest, and feeling overwhelmed by this apparition Fr. Zvarovsky slowly knelt and with his thumb and two forefingers of his right hand, he reverently crossed himself.  Slowly attempting to come to terms with what he was experienceing, he hoarsely whispered an inquiry to the figure before him:

"Are....you, the Blessed Theotokos?"

"I am she who is clothed with the sun, a mere maid highly blessed of the Lord my God, in whose name I humbly come to you this day.  My Son sends to you His peace and love.  Please, do not bow before me - I am but a humble maidservant and to my Son belongs all honor, and to Him is your honor due."

"But why, why has your Son chosen to honor and bless one such as I, His unworthy servant?  Please tell me, my Lady."  Fr. Zvarovsky entreats, slowly righting himself while never taking his eyes off the figure standing before him.

"I have come to beseech you to read what is written, for the time is at hand.  Tell all to whom God the Father has called to you and tell all who will receive, oh son of Israel!  The age of imperfection will soon end, and His people, to whom He came first to save, shall be grafted into His Bride, and those who call His name but do not accept His redemption will be cut off.  Be warned, many things shall come to pass before the appointed time when my Son shall return for His people, and beware the deceiver who shall come to you as an angel of light.  Go and proclaim these words to the people, warn them to prepare themselves, for my Son cometh nigh!! God, my Son Jesus, will be with thee..."  and as suddenly as she had appeared, she was gone.  As the luminescence slowly receded, Fr. Zvarovsky began to get his bearings again.

The first thought that came to him was "Wow, must have been those meatballs at Charbel's yesterday!" However, as if by reflex, he was redirected to the open Bible on the pew where he was initially sitting, and as he picked up the book, he noticed it had opened to Revelation 6.  Feeling an overwhelming compulsion to read the passage, he sat, studied it for hours, and before he knew it the time was four o'clock, but in what seemed like minutes it all of a sudden struck 6.  So, he gathered himself together, headed back to the rectory, and began to make preparations for the following night's meeting, where after the Presanctified Liturgy he was going to offer the  Mystery of  Reconcilliation (confession) to his parishioners.  In reverential pause, just before he prepared his supper for the night, he offered a prayer of thanksgiving to God as he reflected upon everything that was happening. 

The feeling was something was going down, and it was big - he could sense it.  But, an inner peace assured him that it was all in God's timing, and he just needed to let God work.